Minecraft certainly has a distinct look to it and the ‘Minecraft: The Nether and the End Sticker Book’ aims to capitalise on this. The book is essentially a sticky activity book that follows a loose story around one of the Minecraft worlds. I am not an expert on the subject and after reading this am no more the wiser. The book is aimed at the Minecraft fan and younger spectrum at that, 6-7 perhaps. The book has plenty of stickers, but not all of them are well used. Some are for the activities in the book, but a lot are miscellaneous.
The book even partakes in the worst sin that a sticker book can; that of producing countless bland stickers all squashed together so that they can claim there are loads of them. There may be plenty, but many are not that fun. I also had an issue with the darkness of the book. Minecraft images don’t always look pleasant on the page, but with the muddy and dark images here they look awful at times, even the stickers cannot help too much.
Despite reservations on this particular Minecraft book, for a fan it will still provide plenty of fun. The games on offer may be a little opaque to some, but for a fan they will make perfect sense and they can start playing straight away knowing who the characters and locations are. Just make sure the child you are buying this for is a true Minecraft fan before buying it as the appeal of the book will not cross over to the non-fan.
The world is an exciting place, although it may not seem like it when you live in a grey town. Simon Chapman is an explorer and nature lover who has travelled the globe looking for excitement and some of the world’s most majestic creatures. He has several books that cover different countries and biomes and in the case of ‘Indian Lowlands’ he starts off in New Delhi and goes out on the search for animals including the elusive Bengal Tiger.
Chapman is part of the modern safari lover that is more likely to shoot with a camera than a gun. Chapman goes beyond this as he is an illustrator, so he draws what he sees, this gives the book a vibrant feel as he draws animals as he sees them. There is a quality to the drawings, but also a speed; he has just that moment to get the image on paper. The book takes the form of a diary and is full of factoids, but it also details his adventures. The main thrust is the search for a Bengal Tiger, but that does not stop Chapman from seeing many other animals as well and capturing them using pen and paper.
There is an earnest feel to ‘Indian Lowlands’ that portrays Chapman’s passion well, but it is a book for the animal loving child only. There is no pandering to the very short attention span – poo jokes or gross out moments. This is a real adventure written and illustrated in a way that a 9-12 year old can understand. Those tweens that love animals and geography will get a lot from this book, whilst others may not. The book itself is a quality hardback with colour imagery throughout. It is Chapman’s on the fly drawings and passion for the subject matter that makes the book stand out.
The misuse of language is a modern disease. Too many times something is described as awesome or stupendous, but were you truly awed by it? Or stupefied? People just seem to pluck words out of the ether and pretend that they are the correct ones. Are the recipes in Susanna Tee and Santy Gutierrez’s ‘This Cookbook is Gross’ truly gross? For once the language is not overplayed. These recipes may taste nice, but in appearance they are absolutely vile.
Halloween is upon us and a good way of celebrating it is offering people food that looks inedible. Gummy sweets or sandwiches shaped like fingers act as a trick and a treat, but they don’t go far enough. The recipes in this book are for those that want to make some truly gross looking food. Rancid eggs, brains, cat poo. The type of thing that no right minded person would think of cooking. Perfect then for the average 7-11 year old then!
As someone with a strong stomach I was impressed how far Tee and Gutierrez push the recipes in this book. Tee is a recognised cookery book writer and has many standard cook books to her name. She takes her expertise in the subject and really tries to create some outstanding dishes. By using ingredients that actually taste nice, you can make a dish that looks disgusting. Jelly and chocolate crumble sounds nice, but shape them right, put them in a jar and suddenly you have worms in soil.
Each recipes is given its own two page spread with easy to follow instructions, you also get some illustrations from Gutierrez that are fun and add to the silly nature of the book. However, the most important image is that of the finished product. The full colour photos give you an idea of what you are trying to make. They look great, but most amateur cooks will struggle to get to that level. Tee says at the start of the book to make sure you come clean and tell the diners what they are eating, but the chances are that anything you make will clearly be jelly and not worms.
As well as recipes, the book also has some factoid pages. These are from the ‘‘Ripley’s Believe or Not’’ school of the extreme. You will get some information about truly gross stuff that people around the globe eat, but that never stops them.
The issue with this book is that perhaps it is too good at being gross. The brains, intestines and cat poo in particular take things to the next level of distasteful. Yes they raise a titter from a cheeky child, but do you really want to be buying a new cat litter tray and lay down chocolate logs on broken biscuits into it? Gutierrez’s illustration of a cat’s bottom does not help matters. It is hard to knock a book for doing what it set out to, but when you buy something like this for a kid, do you really think it will be that gross? In this case it is and more so.
The Animal Kingdom is a diverse one, full of creatures that do all sorts of things. The number of animals out there is so vast that even vets need to do a quick google when something strange appears in their practice. For the budding vet-to-be, animals are a constant source of fascination and they will absorb as much knowledge as you can give them. It is not practical to visit the zoo every day, but getting an educational and entertaining animal encylopedia is.
‘‘My Encyclopedia of Very Important Animals’’ is part of DK’s ‘‘Very Important’’ series that takes an encyclopaedic look at a given subject area. Whilst the original book made a valiant attempt at trying to cover almost everything in one book, DK have sensibly focused on one area here – animals. This is a large enough subject to cover on its own and DK have tackled it by focusing not just on animal types, but also traits. The book is split into three parts; basic questions about animals, a deeper look at certain types and a section exploring some interesting animal antics.
As with all encyclopedias for children, there is a balance to be struck between educating the reader and making the book interesting enough to capture the imagination. For an older reader ‘VIA’ may seem at first to be a little too in your face. It is certainly a fun book to look at. The hardback version is full of quality full colour photos that makes almost every page an assault on the senses. If the visuals were the only thing with the book, it would have failed at being an encyclopedia. Thankfully, DK have plenty of experience in this area.
Alongside the wonderful imagery are some solid facts for kids. Whilst the likes of ‘‘Ripley’s’’ and ‘‘Guinness’’ are more about fun and not fact, ‘‘VIA’ ensures that the information is not lost. The layouts of the pages differ, but most will have images of a few animals and the rest of the page will be dotted with factoids. These are bitesize chunks of information that is palatable for the 4-8 year old market. Extra credit should be given by DK’s commitment to helping with reading. Certain words will be highlighted that show they are important. For the younger reader this may prompt some questions to an adult about what it means.
The entire book is well designed to be inviting for a child interested in information and animals; from the colours to the layout. Like with all encyclopedias there are gaps in what information is available, but the subject of animals is covered in enough detail here to sate the appetite of most pre-teens who are going to read the book. Original review on thebookbag.co.uk
You sit down together as a family and ask your child what they would like to read from your bulging bookcase. Will they choose the timeless classic that you yourself read as a child? Perhaps they will pluck for a modern tale with its dayglo colouring and storyline based around pants? Nope. Neither of these. All you will hear is “Stickers!” Your child would rather play with a sticker activity book than read with you, so best make it a worthwhile sticker activity book.
‘‘My First Wild Activity Book’’ by Isabel Otter and Maxime Lebrun is a top grade activity book that covers various wild biomes by not only allowing you to add stickers, but also quiz you on different types of animals, play spot the difference, or simply colour in. Each section has a spread that folds out so you can add your stickers, but no inch is wasted. Rather than leaving the back of these images plain, there are more fun activities to partake in on the reverse.
The use of every iota of space is the type of thing that lifts ‘‘Wild’’ from just being another sticker book. As a genre it is normally one that I buy from the bargain shelves. You know that within a week or so all the stickers will be stuck and images coloured; there is no re-reading value here, therefore why pay more? Thankfully, ‘‘Wild’’ shows that if you do pay a little more, you will get a better book.
The entire book is perfectly aimed at the 5-7 age group, it is informative, yet still fun. There are facts to read, but you never have long to go to find a fun puzzle. The entire things is also full colour and wonderfully illustrated by Lebrun, it must have taken a lot of effort to get so many images into 72 pages. The A4 format and full use of space does make this feel like a premium activity book. The fact that it is split into environments means that it is also perfect to use as a pick up and play title. On a car journey the format is great for taking up a proportion of the ride.
‘‘Wild’’ is a cut way above the type of activity title you buy from the supermarket as its lush illustrations and solid factual knowledge means that it acts more as a fun, interactive encyclopaedia. However, it does still suffer from the perennial activity book problem – use a pen once and you are done. The stickers can only be done once and most of the puzzles are single use too. There is a little more to read than in most activity books, but still not enough that you would go back once the fun has been filled. Luckily, you will have a great time at least once with the book.
I have studied propaganda in my time and as a rule of thumb the most persuasive arguments are those people don’t notice. The same can be said when educating kids. Some children lap up textbooks and non-fiction, but others need to be eased in. Tricking them is perhaps a harsh term, but would you rather learn about Ancient Rome via a dry fact book or an adventure title written in the form of a cartoon and packed full of puzzles and activities?
The Histronauts are three normal school children who find themselves transported back in time to Ancient Rome. Here they meet a slave who needs their help to fulfil his master’s wishes for the day. Join the four of them as they learn all about Rome via a series of puzzles and activities including building your own Roman items.
There is a lot going for ‘‘A Roman Adventure’’ by Frances Durkin and Grace Cooke; it oozes quality. The book itself is fully illustrated in colour and has some very engaging images. Cooke has laid out the book like a comic strip and you follow the story through. Every now and again you come across a puzzle that may be a maze or working out the cost of something in Roman coins All of these activities are realised in a lovely style that will make the book more attractive to a child who is not normally drawn towards non-fiction.
Although shown in a cartoon style, there is no dumbing down in this book. Durkin is a historian and she makes sure that the book is actively crammed with information from the era. There are a lot of Roman objects and words to learn. Thankfully, Cooke’s illustrations means that you don’t always realise that you are being taught. The blending of a fictionalised story with non-fiction information works brilliantly. There is loads to do in the book from mental puzzles to practical make and do.
With all the information on show, the book does not patronise the reader, but it does leave a lot unsaid. Bearing in mind that the target audience is probably 8-11 year olds, reflecting the true nature of Rome would probably be a bit full on. However, Durkin has laid the foundations of respecting the reader by cramming the book with complex Roman words. Therefore, if you are going to choose a slave as the person to meet who has a Gladiatrix as a sister, you probably need to mention a little bit of ‘‘Horrible History’’. Why entirely sanitise the past? Gladiators did not often live more than a year or so once they took up the job.
‘‘A Roman Adventure’’ is a very good education tool for a child that already has some knowledge of the era. The complex words mean that the book will appeal most to the child who enjoys the era. By adding the cartoon style and practical tasks Durkin and Cooke are also assuring that the non-traditionally academic children also enjoy themselves. The entire thing has a jolly jam butties style to it that will appeal to many children, but personally I would have like a little bit of real horrible history slipped in their for a more rounded portrayal of Ancient Rome. Original review on thebookbag.co.uk
Rearing a child is not a competition, but have a conversation with a certain type of parent and they won’t agree. Their child can speak four languages. Their child wrote their first sonnet at the age of three. Their child can be seen wistfully looking into the middle distance just wanting to play on the bouncy castle. For me, I am happy, if my child is happy; be that doing sums, or eating play-doh. However, even with a relaxed attitude to educating your kid, it can be fun to learn a little, especially when a book is as fun as Little Mouse’s ‘‘Opposite Things’’.
Little Mouse is a curious rodent and wishes to know a little more about her environment. If she is a Little Mouse, what is big? Lift up the flap and you will see – Big Whale. Over the next few pages Mouse learns different opposites from hot and cold, to happy and sad. All of which are behind some awesome flaps.
There are loads of different areas that a child needs to understand as they grow up; colours, numbers, letters. Anna Kovecses has created a series of lift the flap books to help and this particular outing tackles one of the harder concepts – opposites. Whilst blue is blue and one is one, opposites are different as the ‘answer’ is not the same as the question. Whilst a child can count the number of marbles, they will find it tricky to understand what the opposite of black is; kcalb?
A gentle introduction to the concept is required and this is exactly what Little Mouse gives. The book comes in a small hardback format with only 16 pages. Each page has Mouse asking a question like what time is it. On the other page will be some opposite answers i.e. day and night. The simple format means that the concept can be grasped by toddlers. However, as it is a little harder to learn about opposites the likes of colours and numbers are best to start with first.
The layout of ‘‘Opposite Things’’ is wonderful for little hands and the question and answer format draws little readers in, but for all intents and purposes it is just another edutainment book. However, Kovecses illustrations and use of flaps lifts the book beyond this. Even if a child does not truly understand the meaning of what is happening, the book is pure fun. Kovecses’ simple drawings have a timeless appeal and are crisp. Soon enough even the smallest child will see what the pictures are trying to tell them and this is vital in this form of book. Kovecses’ Hungarian illustrative roots give the book an edge over other similar titles, as it looks so lovely (plus flaps rock!) Original review on thebookbag.co.uk